Frankly still reeling from Meryl Tankard’s genius Pina Bausch restaging, Kontakthof – Echoes of ’78. Like a blow to the head, but in a good way.
The gimmick of surviving dancers performing alongside archive footage of themselves — and their non-surviving colleagues — from nearly 50 years ago sounds simplistic, perhaps even trite. Hackneyed. Yawn. Seen it all before, right?
Wrong.
Bloody hell. It is so good. Great source material projected across time to become something even better, breathtaking and heartbreaking and ephemeral and astonishing.
Maybe I’ll be more measured when the concussion wears off, but don’t count on it.